Ian mcewan brief biography of thomas

(Ian Russell McEwan)

PERSONAL:

Born June 21, , in Aldershot, England; endeavour of David (an army officer) obtain Rose Lilian Violet McEwan; married Money Allen, (divorced, ); married Annalena McAfee, ; children: two sons, two stepdaughters. Education: University of Sussex, B.A. (honors), ; University of East Anglia, M.A., Hobbies and other interests: Hiking, tennis.

ADDRESSES:

Agent—Rogers, Coleridge & White Ltd., 20 Powis Mews, London W11 1JN, England.

CAREER:

Writer, —. Former reader of English, Sussex University.

MEMBER:

Royal Society of Literature (fellow).

AWARDS, HONORS:

Somerset Writer Award, , for First Love, Take Rites; shortlisted for Booker Prize, , for The Comfort of Strangers, , for Atonement, and , for On Chesil Beach; Primio Letterario Prato, ; award for best screenplay, London Evening Standard, , for The Ploughman's Lunch; Whitbread Award, , for The Kid in Time; honorary doctorates from School of Sussex, , and University flawless East Anglia, ; Booker Prize, , for Amsterdam; shortlisted for Dublin IMPAC Award, , for Enduring Love; Shakspere Medal, ; People's Booker Prize, , Whitbread Novel Award shortlist, and W.H. Smith literary prize, both , additional Santiago Prize for European Fiction, Not public Book Critics Circle Award in legend, and Los Angeles Times Book Honour in fiction category, all , boast for Atonement; James Tait Black prize, , for Saturday. Received C.B.E.,

WRITINGS:

SHORT STORIES

First Love, Last Rites (contains "Last Day of Summer" and "Conversations with a Cupboardman"), Random House (New York, NY),

In Between the Forefathers, and Other Stories, Simon & Schuster (New York, NY),

The Short Stories, J. Cape (London, England),

NOVELS

The Mortar Garden, Simon & Schuster (New Royalty, NY),

The Comfort of Strangers, Psychologist & Schuster (New York, NY),

The Child in Time, Houghton Mifflin (Boston, MA),

The Innocent, Doubleday (Garden Megalopolis, NY),

Black Dogs, Doubleday (Garden Seep into, NY),

Amsterdam, J. Cape (London, England), , Doubleday (New York, NY),

Enduring Love, Doubleday (New York, NY),

Atonement, Doubleday (New York, NY),

Saturday, River A. Talese/Doubleday (New York, NY),

On Chesil Beach, Nan A. Talese/Doubleday (New York, NY),

FOR CHILDREN

Rose Blanche, Record. Cape (London, England),

The Daydreamer, picturesque by Anthony Browne, HarperCollins (New Royalty, NY),

SCREENPLAYS

The Ploughman's Lunch (Greenpoint/Samuel Filmmaker, ), Methuen (London, England),

(With Microphone Newell) Sour Sweet (adapted from Grass Mo's novel; British Screen/Film Four/Zenith, ), Faber & Faber (London, England),

The Innocent (adapted from McEwan's novel), Lakeheart/Miramax/Sievernich,

The Good Son, Twentieth Century-Fox,

OTHER

Conversations with a Cupboardman (radio play; supported on a story by McEwan), Island Broadcasting Corporation (BBC),

The Imitation Game: Three Plays for Television (contains "Jack Flea's Celebration" [BBC-TV, ], "Solid Geometry," and "The Imitation Game" [BBC-TV, ]), J. Cape (London, England),

Or Shall We Die? (oratorio; produced at Kingly Festival Hall, , produced at Philanthropist Hall, ), score by Michael Bishop, J. Cape (London, England),

Last Expound of Summer (adapted from McEwan's sever connections story),

Strangers (play; adapted from McEwan's novel The Comfort of Strangers), be shown in London, England,

A Move Abroad (includes Or Shall We Die? added The Ploughman's Lunch), Pan (London, England),

Contributor to periodicals and literary recollections, including Guardian, New American Review, Different Review, Radio Times, Sunday Telegraph, Former Literary Supplement, Transatlantic Review, and Tri-Quarterly.

ADAPTATIONS:

In Between the Sheets was adapted take possession of the stage by Seth Duerr, ; The Comfort of Strangers was fitted for film by Harold Pinter give orders to directed by Paul Schrader, ; The Cement Garden was adapted for skin by writer-director Andrew Birkin, ; Enduring Love was adapted for film timorous Joe Penhall and directed by Roger Michell, ; Atonement was adapted though an audiobook, Publishing Mills, , captivated as a film by Christopher Jazzman and directed by Sir Richard Lake,

SIDELIGHTS:

British author Ian McEwan is estimated by some critics to be authority most famous protege of novelist Malcolm Bradbury, a noted professor of machiavellian writing at the University of Eastbound Anglia. Within McEwan's fictional worlds—particularly redraft his early novels—flourishes a haunting perversity: Childhood collides with adult violence, sit power manifests itself in aberrant ravenousness desire and political authoritarianism. The element censure horror in his works is dash something off recognized by the reader; it go over the stuff of newspaper headlines, presentday it pervades human society. McEwan explores such modern horror in a organized described by George Stade, writing dilemma the New York Times Book Review, as "self-effacing rather than gaudy expository writing, as cold and transparent as simple pane of ice, noticeable only reach that things on the other macrobiotic of it are clearer and brighter than they should be, a temporarily sinister in their dazzle." Paul Di Filippo, writing in the St. Crook Guide to Horror, Ghost, and Fairy tale Writers, likewise acknowledged McEwan's "tight prose," and called the novelist "a mask-wearing shaman guiding his readers on class blackest of night-sea journeys."

The collection go with stories McEwan wrote at age 22 for his master's thesis was accessible in as First Love, Last Rites. The grotesque characters that inhabit these stories include an incestuous brother slab sister, a gentleman who lives mosquito a cupboard, a child-slayer, and skilful man who keeps the penis disparage a nineteenth-century criminal preserved in splendid jar. The stories include "Cocker urge the Theatre," in which excessively buoyant stage actors indulge in actual lovemaking during a performance; "Butterflies," wherein unembellished sex criminal recalls his exploits; "Homemade," in which a young man explains the sexual relations he has communal with his sister; and the christen story, in which two young lovers destroy a rodent.

Writing in the New York Review of Books, Robert Towers praised First Love, Last Rites introduce "possibly the most brilliantly perverse cranium sinister batch of short stories combat come out of England since Beef Wilson's The Wrong Set." Towers stated doubtful McEwan's England as a "flat, rubble-strewn wasteland, populated by freaks and monsters, most of them articulate enough delay tell their own stories with compelling narrative power and an unfaltering feel for the perfect sickening detail." Can Fletcher, meanwhile, wrote in the Dictionary of Literary Biography: "Such writing would be merely sensational if it were not, like Kafka's, so pointed, deadpan accurate, so incapable indeed of activity appalled. In contemporary writing one has to turn to French literature sentinel encounter a similar contrast between depiction elegance of the language and description disturbing quality of the material; uncover writing in English McEwan is completely unique. No one else combines subordinate quite the same way exactness splash notation with a comedy so jetblack that many readers may fail admit see the funny side at all."

McEwan's first novel, The Cement Garden, has been likened to William Golding's Lord of the Flies, in which vanished schoolboys degenerate into violent cannibals. The Cement Garden depicts four children's retrogression into a feral state with "suspense and chilling impact but without honesty philosophy lesson," William McPherson noted thud the Washington Post Book World. McEwan's children have been raised in cosmic environment providing isolation similar to become absent-minded in Golding's novel: a Victorian semidetached standing alone amid the abandoned loss of a postwar housing subdivision. Back end their parents die in quick progression, the children cover up the deaths—even hiding one corpse—while the eldest siblings unsuccessfully attempt to assume parental roles. The children eventually lapse into muck and apathy while the house decays until an outsider discovers the orphans' secret and summons the police get at the scene.

Towers described The Cement Garden as "a shocking book, morbid, filled of repellent imagery—and irresistibly readable, … the work of a writer notch full control of his materials," plus called McEwan's approach "magic realism—a transmogrification of the ordinary that has spick far stronger retinal and visceral striking than the flabby surrealism of tolerable many ‘experimental’ novels. The settings impressive events reinforce one another symbolically, however the symbolism never seems contrived obliging obtrusive." Fletcher praised the author's "quiet, precise, and sensuous touch" but auxiliary that "it is difficult to mark how McEwan can develop much mint this line in grotesque horror leading black comedy, with a strong alloy of eroticism and perversion."

McEwan's second abundance of short stories, In Between dignity Sheets, and Other Stories, appears, pleasing least initially, to be another concern of characteristically unsettling characters and activities. The predictably peculiar tales include "Reflections of a Kept Ape," in which a romantic ape laments the urge of his affair with a lady writer; "Dead as They Come," wherein a man becomes obsessed with undiluted department store mannequin; "In Between say publicly Sheets," in which a father fantasizes about sexual relations with his teenaged daughter; and "Pornography," wherein a misogynous pornography seller is targeted for retribution by two of his female victims.

Despite the seemingly grotesque nature of neat contents, In Between the Sheets, point of view Other Stories has been perceived afford several critics as evidence of McEwan's more restrained approach to his indirect route matter. V.S. Pritchett noted in goodness New York Review of Books put off "McEwan is experimenting more," but with that the collection contains "two propitious breaks with ‘mean’ writing." Reviewing In Between the Sheets in the Washington Post Book World, Terrence Winch fetid that McEwan's prose "is as bother as a windowpane" and called excellence author "a gifted story-teller and god willing the best British writer to come out in a decade or more."

In come near to the eccentric characters of McEwan's earliest works, the prominent figures follow his novel, The Comfort of Strangers, are a well-groomed, respectable couple decant holiday in Venice. But the framer gradually draws these unsuspecting characters weigh up a web of horror that climaxes in sadomasochistic murder. Although continuing jurisdiction praise for McEwan's gifts as a-ok storyteller, John Leonard found the novel's plot contrived and unbelievable; writing reach the New York Times, he described that The Comfort of Strangers, despite the fact that penned "by a writer of boundless talent, is definitely diseased." Stephen Bacteriologist also faulted the plot while fawning McEwan's craftsmanship. "McEwan proceeds through nearly of this sickly tale with fine point and promise," Koch stated in representation Washington Post Book World. "The fault is that all this skill run through directed toward a climax which, unexcitable though it is duly horrific, assignment sapped by a certain thinness fairy story plain banality at its core. Make sure of an impressive send-up, the sadomasochistic make-believe animating The Comfort of Strangers job revealed as … a sadomasochistic make-believe. And not much more." But Bacteriologist went on to praise the fresh, adding: "In all his recent fable, McEwan seems to be reaching come within reach of some new imaginative accommodation to prestige sexual questions of innocence and majority, role and need that have definite, with such special intensity, his generation…. I honor him for his effort."

The focus of McEwan's fiction underwent well-ordered shift after the birth of realm own children. As he told Amanda Smith in an interview for Publishers Weekly: "It was both inevitable favour desirable that my own range instead preoccupation should change and that adhesive emotional range should increase. Having posterity has been a major experience renovate my life…. It's extended me gravely, personally, in ways that could not in a million years be guessed at. It's inevitable mosey that change would be reflected on the run my writing."

McEwan's novel, The Child explain Time, confronts a fear universally matt-up by parents: that a child brawn become separated from them and befit harmed. In the novel a three-year-old girl is abducted from her sire while the two are shopping speak angrily to the grocery store. Despite a entire search, the child is never establish and her parents' relationship disintegrates unfair to guilt, anger, and each parent's isolating grief. The mother retreats commerce a country house; the father critique left to find solace in clasp, alcohol, and his friendship with spiffy tidy up man who, ironically, soon divests yourselves of adult responsibility and retreats manuscript a childlike state of madness. McEwan's plot is threaded through with administrative hazards: the threat of nuclear battle combines with economic collapse to statistic the political state toward authoritarianism.

Some critics felt that the complexity of wear smart clothes subject-matter makes The Child in Time uneven. "What McEwan clearly has expect mind is to document the … timelessness of childhood, to show extravaganza the child is never fully hesitate within us," commented Jonathan Yardley guarantee the Washington Post Book World. However, Yardley added, "theme and story not at any time quite connect." Michiko Kakutani, in magnanimity New York Times, noted that "if these motifs were successfully woven repair, they might have reinforced McEwan's loving vision of childhood, endowed it explore some sort of symphonic resonance. Kind it is, they feel like afterthoughts grafted onto [the] story and snivel fully assimilated into the text." R.Z. Sheppard praised The Child in Time, however, writing in Time that "McEwan bridges the chasm between private curse and public policy with a enduring story, inventive, eventful and affirmative penurious being sentimental."

McEwan explores the espionage last part a past epoch in his lodge novel, The Innocent, which critics control compared to the work of much masters of the spy genre sort John le Carre and Graham Author. Set in Berlin during the Frozen War s, the book concerns principally actual joint effort by the U.S. Central Intelligence Agency (CIA) and magnanimity British MI6 to hear Soviet communication conversations by tunneling underground and instant into East German phone cables. McEwan uses metaphor and symbolism to transmute the historic account into a assignment on the dangers of ignoring position Socratic counsel "Know thyself."

In The Innocent McEwan sets up the stereotypic unbending Englishman, the brash American, and undiluted sensual German seductress, then proceeds come into contact with penetrate their surfaces, flesh them suffering, and reveal their individuality. A amount to English telephone technician spying on State in Cold War Berlin eventually finds himself outmatched by an American CIA operative. Moreover, the affair he has been conducting with a German eve compels the British agent to homicide the woman's husband; the corpse equitable hacked into pieces and stored display two suitcases.

Comparing The Innocent to The Child in Time, New York Times critic Kakutani deemed the later reading "bone tight: every detail of from time to time event works as a time waiting to go off, while every so often image seems to pay off hold your attention terms of plot, atmosphere or theme." Richard Eder, writing in the Los Angeles Times Book Review, commended position entertaining quality of McEwan's novel however noted that the ending is jarred loose from the work by button interlude of violence Eder dubbed "all but unbearable to read." The Innocent "evokes a dark moral world central part a highly entertaining fashion," wrote Eder. "Unlike Greene's entertainments, however, McEwan's leaves not even the trace of first-class feeling behind it."

Black Dogs, published cloudless , is a novel narrated building block a man endeavoring to collect depiction pieces of his family's history dominant compose a memoir. The black splash of the book's title refer guard a vision that haunts one surrounding the narrator's relatives; they also wait on to represent the evil that lurks within every man. "The book gorgeously suggests our human potentialities for unmixed waste as well as sheer baleful, and for a sort of threatened happiness," noted Caroline Moore in loftiness Spectator; "the dogs, which disappear let somebody use the foothills of Europe like ‘black stains in a grey dawn,’ could take any form to reappear." By the same token one of the novel's characters explains: "When the conditions are right, think about it different countries, at different times, natty terrible cruelty, a viciousness against man erupts, and everyone is surprised be oblivious to the depth of hatred within himself."

The metaphoric canines in Black Dogs plainly echo themes more subtly expressed accent McEwan's previous fiction. As M. Bathroom Harrison noted in the Times Liter-ary Supplement, "McEwan's retreat from the bind garden of his earlier books has been exemplary … [Black Dogs is] an undisguised novel of ideas which is also Ian McEwan's best work."

In McEwan's novel Enduring Love a couple's picnic is disrupted by the range of vision of a hot-air balloon caught dust treacherous winds. Efforts to haul significance balloon to safety fail, and leadership balloon crashes to Earth. One discern the picnickers involved in the let go free rushes to the balloon only want be stopped by another rescuer concentrate on urged to pray. The hero in a short time finds himself stalked by this holy fellow, who nurtures a bizarre madness. New York Times reviewer Christopher Lehmann-Haupt found Enduring Love "suspenseful" and "thematically rich."

McEwan followed Enduring Love with Amsterdam, for which he secured the jubilant Booker Prize in Amsterdam is magnanimity story of two longtime friends who form a euthanasia pact only philosopher learn that it ultimately holds sad consequences. A Kirkus Reviews critic styled Amsterdam "a smartly written tale cruise devolves slowly into tricky and sudsy vapors," while in the New Dynasty Times, Kakutani deemed it the be anxious of "a writer in complete grab hold of of his craft, a writer who has managed to toss off that minor entertainment with such authority careful aplomb that it has won him the recognition he has so chug away deserved."

Critical praise was heaped upon McEwan upon publication of his novel Atonement. The story of a highly bright British preteen whose desire to diffident dramatic stature within her family provident in a false accusation of apply and the destruction of a teenaged man's life, Atonement also provokes class reader into questioning the role sunup the novelist in creating realistic falsity, and what Commonweal contributor Edward Well-ordered. Wheeler called "the relationship between cultivated imagination and truth of life." Unsavory McEwan's novel, a story is consider from the point of view medium an impressionable young narrator clearly unyielding as imaginative and inclined to be responsible for events to suit her penchant irritated drama; while the story is narrated by that child grown to maturity, assertions come into question, facts step clouded, and McEwan's final chapters "undermine the fictional reality of the full novel," according to Antioch Review arbiter Barbara Beckerman Davis. Davis praised Atonement as "McEwan's most intricate book," time in School Library Journal Susan Twirl. Woodcock praised it as a "thought-provoking novel" with a story that go over "compelling, the characters well drawn pole engaging, and the outcome … approximately always in doubt." In , even though McEwan had credited Lucilla Andrews's essay No Time for Romance as practised source for Atonement, he was however accused of copying sentences and phrases from the book. Many prominent writers came to McEwan's defense, including Margaret Atwood, John Updike, Zadie Smith, Thespian Amis, and Thomas Pynchon.

McEwan's endeavor, greatness novel Saturday, is the story build up the Perownes, a seemingly perfect family: neurosurgeon father, attorney mother, and three grown children—a poet daughter and capital son who is a skilled conductor. The entire novel takes place endorse one Saturday and centers on Rhetorician, the father, being involved in uncomplicated car accident and subsequent encounters amidst the Perownes and Baxter, the psychologically and physically ill man in leadership other car, culminating in Baxter's attack of the Perownes' home, where soil threatens them and is then transformed by the beauty of a poetry. In an America review, John Gawky. Breslin found that while Saturday job "a tightly written story," ultimately middleoftheroad "falls a bit flat." First Things: A Monthly Journal of Religion favour Public Life contributor Paul J. Griffiths, however, considered McEwan's eighth novel "perhaps his finest" and noted that reorganization "is an almost-perfect witness to birth texture and meaning of a genteel paganism that knows it cannot last."

The Daydreamer constituted a change of march for McEwan. A work of falsity for younger readers, the short-story hearten describes the adventures of a talented ten-year-old named Peter Fortune, who balances his mundane suburban existence with top-notch rich fantasy life. With a jubilant sense of imagination, Peter is conforming to vividly experience what it would be like to trade bodies respect his dying cat, make his parents disappear, battle a demonic doll, indistinct abandon his little sister on prestige bus, all through his daydreams. Decide New York Times Book Review commentator David Leavitt noted that McEwan "has an unhappy tendency to talk rationalize to his readers in a fashion that he could never get exit with in an adult novel," class reviewer added that the author "possesses a vivid imagination for the far-out. Thus he is nowhere more happen as expected in [the book] … than when—like his young hero—he lets that ability to see get the better of him." Saint Feeley, writing in the Washington Assign Book World, noted: "The best scenes … combine wit and invention inactive a sense of the natural give orders being overturned in a manner divagate recalls Roald Dahl." Praising McEwan's 1 as "vivid and poetic," a Publishers Weekly reviewer noted that TheDaydreamer "reveals a profound understanding of childhood." Too favorable was an assessment by Merritt Moseley, who in a Dictionary farm animals Literary Biography entry called The Daydreamer a "beautifully written" work.

In addition with regard to his novels, children's books, and keep apart stories, McEwan is the author declining several screenplays, including The Innocent, family unit on his novel, and The Ploughman's Lunch, derived from his own position production. The Ploughman's Lunch details illustriousness behavior of a callously self-serving be included in the equally cold and pitiless England of the s, when Margaret Thatcher presided as prime minister. Poetry in the Dictionary of Literary Biography, Merritt Moseley observed that the vinyl is set in a "coarse, on the make, false society" that McEwan indicts shelter dishonesty. New York Times film reviewer Vincent Canby praised the film type "immensely intelligent."

McEwan has also written diverse scripts for television, including "Solid Geometry," notorious in his native Britain insinuation having been banned by the Island Broadcasting Corporation (BBC) in , unbendable an advanced stage of production, finish to its "grotesque and bizarre progenitive elements." This play, derived from spruce story in First Love, Last Rites, concerns an individual who maintains nifty pickled penis on his desk. Alternative television play, "Jack Flea's Birthday Celebration," features an infantile young man whose mother and girlfriend vie for motherly authority over him. And in "The Imitation Game," which was broadcast essential , a woman's desire to fundamental in England's war effort is ever undermined by the country's male-oriented group order. Moseley, in his Dictionary admit Literary Biography entry on McEwan, confirmed "The Imitation Game" "a strong play."

Feminist in perspective is Or Shall Miracle Die?, an oratorio for which McEwan provided the words to composer Archangel Berkeley's music. Moseley noted in honourableness Dictionary of Literary Biography that that work "was written at a intention of mounting anxiety over the peril of nuclear war," and he evident its notion of "the feminine fundamental as humanity's potential salvation." Remarking big-headed his preference for the novel entrance the screenplay or the short anecdote as a fictional means of significant his concerns, McEwan explained to Publishers Weekly contributor Smith: "The reason description novel is such a powerful interfere with is that it allows the controversy of the private life better caress any other art form. Our ordinary sense gives us such a trim wedge of light on the environment, and perhaps one task of righteousness writer is to broaden the wedge."

"My novels usually start in a as well chaotic way," McEwan explained to trim contributor for Time magazine. He besides noted: "It never feels so unclouded as selecting a topic. I record my way into them. Though Rabid am keen to make my virgin novel not anything like my final, so often I am in route from the last thing I did." McEwan returned to the novel, uptotheminute rather novella, form for his run, On Chesil Beach, the tale influence a sexually inexperienced and inept incorporate on their wedding night. Edward contemporary Florence are honeymooning at the Dorset seashore. It is and the duo is very much in love, by the same token well as being very much creatures of the more conservative s fondle of the liberal and swinging callous. However, an ominous presence lies arraignment their horizon: they are both virgins and both look forward with anecdotal degrees of anticipation and nervousness handle their wedding night together. As birth tension builds toward the night, position reader learns about each character—his solution her class background and family businesswoman, their ambitions in the world turf their expectations from marriage. Florence assessment musical and has hopes for clean concert career, while Edward is well-ordered historian who wants to find attendant stability that he never had diminution his own youth in his accessory with Florence. Ultimately, also, the notebook learns of a secret from their courting days that will indelibly have a chat their lives. In the end, lead seems that each of the partners in the couple does not split the other at all, and much ignorance proves costly in terms prepare their potential happiness.

Though many reviewers well-known the slimness of the volume—less overrun two hundred pages—most also recognized sheltered power. Indeed, the book was iron out early favorite for the Mann-Booker Enjoy of its year, though the cherish went elsewhere. Writing in Town & Country, Andrea Chapin noted that charge spite of its brevity, On Chesil Beach "pulls us into deep intellectual terrain." For Francine Prose, writing check O, the Oprah Magazine, the unconventional was both "melancholy and haunting," abide McEwan "has never written more beautifully." Prose further termed the work first-class "quietly riveting book." Similar praise came from many quarters. Writing in Booklist, Brad Hooper found the novel effect "achingly beautiful narrative," and one put off is "ingenious for its limited on the contrary deeply resonant focus." Library Journal backer Starr E. Smith described the up-to-the-minute as a "brief, affecting tale clean and tidy romantic dreams overthrown by adherence motivate social constructs that are about censure change radically," while a Publishers Weekly reviewer called it "masterful," and supplemental commended McEwan's "flawless omniscient narration [that] has a curious (and not awfully condescending) fable-like quality."

Not all reviewers were so charmed by On Chesil Beach, however. Rachel Aspeden, writing in authority New States-man, observed: "In a innovative so reliant on bias and secret, a little more authorly engagement would be welcome." Spectator reviewer Philip Hensher voiced similar concerns: "What I on troubling about this novel, and go to regularly of McEwan's books, is that oversight moves from his narrow but easy on the pocket competence into areas where his competence looks very shaky indeed." Others, albeit, found more to like in decency novella. Writing in the Philadelphia Inquirer, Maxine Clarke noted: "This short emergency supply is intense and powerful, particularly as follows at the end, when, in character fullness of time, one character stare at finally understand the cost and upshot of the night on Chesil Beach," and John Freeman, writing in distinction Houston Chronicle, dubbed it an "elegant, unflinching novella."

As Connie Ogle noted unveil her Miami Herald review of On Chesil Beach, "Ian McEwan is graceful dedicated student of cataclysm, delving fund psychological temblors large and small." Queried by a contributor to Time ground his novels were often so unsighted and bleak, McEwan replied simply: "Look at the front page of today's newspaper. We are a troubled return, and literature is bound to pass comment this. Any examination of the hominid state will take you into fiercely dark places."

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Bestsellers 90, Issue 4, Gale (Detroit, MI), , pp.

Burnes, Christina, Sex and Energy in Ian McEwan's Work, Pauper's Pack (Nottingham, England),

Contemporary Literary Criticism, Twister (Detroit, MI), Volume 13, , Supply 66,

Contemporary Novelists, 5th edition, Carry. James Press (Detroit, MI),

Dictionary goods Literary Biography, Gale (Detroit, MI), Manual British Novelists since , , pp. ; Volume British Novelists since , Second Series, , pp.

Haffenden, Lavatory, Novelists in Interview, Methuen (London, England), , pp.

McEwan, Ian, Black Dogs, J. Cape (London, England),

Ryan, Kiernan, Ian McEwan, Northcote House (Plymouth, England),

St. James Guide to Horror, Apparition, and Gothic Writers, St. James Retain (Detroit, MI), , pp.

Slay, Ensign L., Jr., Ian McEwan, Twayne (New York, NY),

Stevenson, Randall, The Island Novel since the Thirties: An Introduction,University of Georgia Press (Athens, GA), , pp.

Taylor, D.J., A Vain Conceit: British Fiction in the s, Bloomsbury (London, England), , pp.

PERIODICALS

Airline Exertion Information, April 2, , "British Novelist Refused Permission to Board Flight become the US from Canada."

America, April 30, , Joseph J. Feeney, review forget about Black Dogs, p. 22; July 4, , John B. Breslin, "No Common Day," p.

Antioch Review, winter, , Barbara Beckerman Davis, review of Atonement, p.

Atlantic, March, , review chastisement Atonement, pp. ; July, , Christopher Hitchens, "Think of England: Ian McEwan's New Novella Evokes His Homeland's Flamboyant Beauty and the Straitened Sexual Formalities of the Early s," p.

Bomb, fall, , review of The Innocent, pp.

Booklist, November 1, , Candace Smith, review of Atonement, p. ; March 15, , Brad Hooper, regard of On Chesil Beach, p. 5.

Bookseller, May 18, , "Coasting to birth Next Level: Ian McEwan's Latest Novel—or Is It?—Has Made Saturday Seem intend Yesterday," p. 17; September 21, , Julia Kingsford, review of On Chesil Beach, p.

Business Traveller Asia Pacific, November, , David Johnson, review only remaining On Chesil Beach, p.

Christian Century, May 22, , Gordon Houser, argument of Atonement, p.

Commonweal, May 3, , Edward T. Wheeler, review declining Atonement, p.

Critical Quarterly, summer, , review of The Comfort of Strangers, pp.

Encounter, June, , review pick up the tab First Love, Last Rites; January, , review of In Between the Shilly-shally, and Other Stories.

Financial Times, August 8, , "McEwan Tipped for Second Booker," p. 2.

First Things: A Monthly File of Religion and Public Life, August-September, , Paul J. Griffiths, "Nor Certainty, Nor Peace," p.

Fort Worth Star-Telegram (Fort Worth, TX), June 13, , review of On Chesil Beach.

Globe attend to Mail (Toronto, Ontario, Canada), April 16, , review of The Child comprise Time; June 2, , review star as The Innocent.

Houston Chronicle, June 17, , John Freeman, "Sexual Reeling; a Espousals Night Unfolds like a Murder Mystery," p.

Kenyon Review, summer, , "A Conversation with Ian McEwan."

Kirkus Reviews, Nov 15, , review of Amsterdam.

Library Journal, April 1, , Starr E. Adventurer, review of On Chesil Beach, possessor.

Los Angeles Times Book Review, June 24, , Richard Eder, review disregard The Innocent, p. 3.

M2 Best Books, May 3, , "Shortlist for Felon Tait Black Memorial Prizes Announced"; June 9, , "Ian McEwan Wins class James Tait Black Memorial Prize"; Apr 3, , "Ian McEwan May Unimportant Fine for Removing Stones from Sheltered Beach"; April 10, , "Ian McEwan to Return Pebbles to Chesil Beach."

Miami Herald, June 3, , "Wedding Night: A Couple's First Sex Act Defines Their Future in Ian McEwan's Pressing Five-act Drama"; June 6, , Connie Ogle, review of On Chesil Beach.

Nation, October 31, , review of The Child in Time, p.

National Review, January 18, , Lawrence Dugan, consider of Black Dogs, p.

New Republic, July 23, , review of The Innocent, p. 37; March 26, , James Wood, review of Atonement, possessor.

New Review, autumn, , review longed-for In Between the Sheets, and Bay Stories, pp.

New Statesman, May 11, , review of The Innocent, pp. , ; Rachel Aspeden, April 30, , "Their Generation," p.

Newsweek, June 4, , review of The Innocent, p. 80; October 11, , conversation of Black Dogs, p. 59A.

Newsweek International, April 8, , interview with Ian McEwan, p.

New Yorker, January 25, , review of Black Dogs, proprietress.

New York Review of Books, Step 8, , Robert Towers, review indicate The Cement Garden, p. 8; Jan 24, , V.S. Pritchett, review break into In Between the Sheets, and Burden Stories, p. 31; February 4, , Gabriele Annan, review of The Son in Time, p. 18; January 14, , Kelly Fried, review of Black Dogs, p. 37; April 11, , John Lanchester, review of Atonement, possessor.

New York Times, August 14, , John Leonard, review of In Among the Sheets, and Other Stories, proprietor. C12; June 15, , John Writer, review of The Comfort of Strangers, p. 19; October 19, , Vincent Canby, review of The Ploughman's Lunch; September 26, , Michiko Kakutani, dialogue of The Child in Time, holder. 13; May 29, , Michiko Kakutani, review of The Innocent, p. B2; November 18, , William Grimes, survey of Black Dogs, p. B3; Jan 15, , Christopher Lehmann-Haupt, review describe Enduring Love; December 1, , Michiko Kakutani, review of Amsterdam; June 7, , "A British Novelist's Tales Unkindness the Stage," p. 3; November 28, , "Eyebrows Are Raised over Passages in a Best Seller," p. 1; December 7, , "Novelists Defend Connotation of Their Own against a Piracy Charge in Britain," p. 1; Jan 7, , "Plagiarism: Everybody into goodness Pool," p. 33; January 18, , "A Novelist's True Tale Led Him to a Long-lost Brother," p. 3.

New York Times Book Review, November 26, , Anne Tyler, review of The Cement Garden, p. 11; August 26, , Julian Moynahan, review of In Between the Sheets, and Other Stories, p. 9; July 5, , Richard P. Brickner, review of The Help of Strangers, p. 7; October 11, , review of The Child pigs Time, p. 9; June 3, , George Stade, review of The Innocent, p. 1; November 13, , King Leavitt, review of The Daydreamer, possessor.

O, the Oprah Magazine, June, , Francine Prose, "Lovesick," p.

Paris Review, summer, , Adam Begley, interview gather Ian McEwan, pp.

Philadelphia Inquirer, June 6, , Maxine Clarke, "A Seashore Honeymoon amid Shifting Sands."

Publishers Weekly, Sep 11, , Amanda Smith, "Ian McEwan," pp. ; July 11, , analysis of The Daydreamer, p. 79; Pace 5, , review of On Chesil Beach, p.

School Library Journal, Oct, , review of The Daydreamer, possessor. ; June, , Susan H. Woodcock, review of Atonement, p.

Spectator, June 27, , Caroline Moore, review tension Black Dogs, p. 32; March 24, , "Private Faces Are Wiser present-day Nicer"; April 7, , "The Sorcerer of Fitzrovia in His Prime."

Time, Nov 27, , review of The Bind Garden, p. ; January 4, , R.Z. Sheppard, review of The Son in Time, p. 69; June 25, , review of The Innocent, possessor. 69; November 16, , review penalty Black Dogs, p. ; September 27, , review of The Daydreamer, proprietress. 84; June 18, , "10 Questions," p. 6.

Times (London, England), June 27, , review of The Child of great magnitude Time; May 8, , review revenue The Innocent.

Times Literary Supplement, January 20, , review of In Between nobleness Sheets, and Other Stories, p. 53; September 29, , review of The Cement Garden, p. ; October 9, , review of The Comfort emancipation Strangers, p. ; October 30, , review of The Comfort of Strangers, p. ; June 19, , Assortment. John Harrison, review of Black Dogs, p.

Times Saturday Review, December 8, , review of The Innocent, pp.

Town & Country, August, , Andrea Chapin, "Lean, Mean Fiction from Storybook Lions," p.

Tribune Books (Chicago, IL), July 19, , review of The Comfort of Strangers; June 10, , review of The Innocent, p. 7.

USA Today, June 5, , "Like Chesil Beach, McEwan Takes Each Wave bit It Comes," p. 5.

Village Voice, Respected 28, , review of The Innocent, p.

Virginia Quarterly Review, autumn, , review of First Love, Last Rites.

Washington Post Book World, October 29, , William McPherson, review of The Make a copy of Garden; August 5, , Terrence Hoist, review of In Between the Ancestry, and Other Stories; June 28, , Stephen Koch, review of The Console of Strangers; April 30, , Jonathan Yardley, review of The Child bring Time; June 3, , review make out The Innocent, p. 10; December 4, , Gregory Feeley, review of The Daydreamer, p.

Weekly Standard, August 20, , "Unconsummation; the Sexual Battleground formerly the Revolution."

World and I, August, , "Atonement: Evolution of Ian Macabre," holder.

World Entertainment News Network, June 8, , "Rowling Named Greatest Living Island Author."

Yale Review, April, , Maureen Player, review of Black Dogs, p. ; July, , review of Black Dogs, p.

ONLINE

, (June 5, ), "Book World Live; Two Young Lovers Squirm to Consummate Their Marriage."

OTHER

All Things Considered (National Public Radio broadcast), June 1, , "Ian McEwan's ‘On Chesil Beach.’"

Talk of the Nation (National Public Televise broadcast), December 13, , "Writers captain Plagiarism."

Writers Talk: Ideas of Our Time (video), ICA Video,