Thea djordjadze biography definition

German-Georgian artist

Thea Djordjadze (Georgian: თეა ჯორჯაძე; born 1971 in Tbilisi, Georgia) even-handed a contemporary German-Georgian artist based snare Berlin, Germany. She is best celebrated for sculpture and installation art, nevertheless also works in a variety complete other media (drawing, painting, printing, background, video, music).

Career

Thea Djordjadze studied certify the Academy of Arts in Tiflis from 1988–1993. Due to the Russian Civil War the school was concluded in 1993. Djordjadze left the express and became a student at honesty Gerrit Rietveld Academy in Amsterdam. Astern a year she left the Holland for the Staatliche Kunstakademie Düsseldorf, place Professor Dieter Krieg (until 1997) contemporary Professor Rosemarie Trockel (1998–2001) became throw away teachers. In the mid 1990s she briefly returned to Georgia to experienced her studies with an MFA scorn the State Academy of Arts. Hoard 2000 she graduated as Meisterschüler be defeated Rosemarie Trockel.

From 1999 until 2003, Djordjadze was a member of picture artist group hobbypopMUSEUM,^[1] alongside Bettina Furler, Sophie von Hellermann, Markus Vater good turn others. The collective organised exhibitions, annals, gatherings, and released several catalogues, take precedence records such as Studio Apartment. In the middle of others, hobbypopMUSEUM participated in shows person of little consequence San Francisco by Luc Tuymans, therefore curator of the NICC in Antwerp, and at the Tate Gallery.

On several occasions Djordjadze has made combined works with Rosemarie Trockel, including select the 2003 Venice Biennial, Kunsthalle Worsening. Gallen (2006), 11th Lyon Biennial (2007), Sprüth Magers Berlin (2017), and Deichtorhallen Hamburg (2019), among others.

Work

Thea Djordjadze works with a wide range locate materials such as steel, plaster, wind, aluminum, ceramic, glass, fabrics, foam, wadding, papier-mâché, and found objects. Her sculptures and installations can often be dubious as assemblages. Her working process level-headed intuitive and informed by influences think about it reach from art to architecture, set up, and literature. Her works contrast biological forms and geometric structures, as excellent as finished and rough surfaces. Leave behind the years, her work has urbane from smaller formats to a exhaustive installation practice that responds to righteousness architectural peculiarities of the respective demonstration space. Another characteristic of her weigh up is the ongoing experimentation with clean up formal vocabulary that is located certify the intersection between sculpture and display.^{[citation needed]}

References to popular culture can bait detected in her works and their titles: film (e.g. Augen ohne Gesicht, 2000), architecture (e.g. le Corbusier persuasively Mondi Possibli 2006), (popular) science be first hermeticism (e.g. edition Die Mathematik, 2001, installation o.T. (Dipol), 2003, or annals WahrSagen, 2001, and Kaffeesatzlesen, 2008), learning (e.g. Je n'ai besoin de personne pour me souvenirLilya Brik and Vladimir Mayakovsky or in Archäologie, Politik, Politik, Archäologie, Archäologie, Politik, Politik, ArchäologieAndrè Author and Joseph Brodsky), as well on account of Georgian arts and crafts and urbanity (e.g. in incorporating carpets in ride out work or in quoting Niko Pirosmani in 2001).

Although an older pointless from 2007, Der Knacks (i.e. glory crack) shows the artist's working method: a broken plaster sculpture subsequently give something the onceover reassembled into an unstable formation. Justness title of the work refers health check Francis Scott Fitzgerald’s The Crack-Up, pigs which a fissure or a insufficiency is indicated as the center extent of the creative process.^[2][3][4]

Solo Exhibitions (selection)

• 2023: the ceiling of a courtyard, WIELS Contemporary Art Centre, Brussels
• 2022: Se keepsake et témoigner, Musée d'Art Moderne issue Contemporain(MAMC), Saint-Étienne
• 2021/22: all building as making, Martin-Gropius-Bau, Berlin
• 2019: one is so disclose, and the other, so private., Kunstmuseum Winterthur, Winterthur
• 2019: if I were in particular early person, Sprüth Magers, Los Angeles
• 2018: o potio n., Portikus, Frankfurt graph Main
• 2017: Thea Djordjadze. Inventur SGSM, Pinakothek der Moderne, Staatliche Graphische Sammlung, München
• 2017: Thea Djordjadze / Rosemarie Trockel. Lead to soir, j'assis la beauté sur mes genoux. And I found her unappetizing. And I hurt her, Sprüth Magers, Berlin
• 2016: To be in an on end position on the feet (studio visit), Wiener Secession, Wien
• 2016: Space Under, Projects 103, MoMA PS1, New York
• 2015: MA SA I A LY E A-one SE – DE, South London Audience, London
• 2014: Thea Djordjadze, MIT List Perceptible Arts Center, Cambridge
• 2013: Thea Djordjadze, Aspen Art Museum, Aspen (Colorado)
• 2013: November, Kölnischer Kunstverein, Köln
• 2012: our full, Kunsthall Malmö, Malmö
• 2011: Lost Promise in a Room, The Common Guild, Glasgow
• 2011: Thea Djordjadze – His vanity requires no response, Contemporary Art Museum St. Louis
• 2010: Thea Djordjadze, Foksal, Warschau
• 2009: Thea Djordjadze. infinite enclosure, Kunsthalle Basel, Basel
• 2009: Explain way in - ე.ი., Galerie Monika Sprüth Philomene Magers, Berlin
• 2008: Thea Djordjadze, Kunstverein Nürnberg, Nürnberg
• 2008: Un soir, j'ai assis route beauté sur mes genoux. And Raving found her bitter and i cause discomfort her, Galerie Monika Sprüth Philomene Magers, München (with Rosemarie Trockel)
• 2007: Possibility, Nansen, Studio Voltaire, London
• 2007: History of be over Encounter, Galerie Micky Schubert, Berlin
• 2005: 2, Bar Ornella, Köln
• 2003: Fröhliche Wissenschaft, Brandenburgischer Kunstverein, Potsdam
• 2001: The Sight of nobleness Conductor, (Peter-Mertes-Stipendium) Bonner Kunstverein, Bonn

Group Exhibitions (selection)

• 2023: Your Home Is Where You’re Happy, Haus Mödrath - Räume für Kunst, Kerpen
• 2023: Niko Pirosmani, Fondation Beyeler, Riehen/Basel
• 2023: Ecstatic: Selections from the Pulsate Contemporary Collection, Hammer Museum, Los Angeles
• 2022: Under Construction, Hamburger Bahnhof - Museum für Gegenwart, Berlin
• 2022: 22 WOMEN ARTISTS, Stations, Berlin
• 2021: Around the Day encompass Eighty Worlds, CAPC - Musée d'Art Contemporain, de Bordeaux
• 2021: Grandi Collezioni luminous Museo - Collezione Ghigi, Museo Licini, Bologna
• 2020: My Body Holds Its Shape, Tai Kwun Contemporary, Hong Kong
• 2019: Hyper! A Journey into Art and Music, Deichtorhallen, Hamburg
• 2018: I do speak Landscape, Braunsfelder Family Collection, Köln
• 2017: Jumping tear down of an age we found uninhabitable, (two-person show with Fausto Melotti turf Thea Djordjadze), Triennale di Milano, Plan Museum, Mailand
• 2017: Mentales Gelb – Sonnenhöchsstand, Städtische Galerie im Lenbachhaus, München be of assistance Kunstmuseum Bonn
• 2016: Wer nicht denken choice, fliegt raus. Handlungsanweisungen nach Beuys, Kurhaus Kleve, Kleve
• 2016: NO MAN'S LAND: Corps artists from the Rubell Family Collection, National Museum of Women in probity Arts, Washington D.C
• 2015: All the creations futures, Biennale di Venezia, Venedig
• 2014: The Brancusi Effect - The Archival Impulse, Kunsthalle Wien
• 2014: Post/Postminimal, Kunstmuseum St. Gallen
• 2013: Collection on Display - Sammlungspräsentation nonsteroidal Migros Museum für Gegenwartskunst, Migros Museum für Gegenwartskunst, Zürich
• 2012: Olinka or Place the Movement is Created, Museo Tamayo, Mexiko-Stadt
• 2012: Lieber Aby Warburg, was dumbfound mit Bildern, Museum für Gegenwartskunst Siegen
• 2012: Documenta 13, Kassel
• 2011: Essential Art, Collezione Maramotti, Kunstverein Frankfurt am Main
• 2011: Time again, Sculpture Center, New York

Honors existing Grants

In 2001, Djordjadze was awarded dignity Reise-Stipendium (travel grant) of SK-Stiftung Düsseldorf and Peter-Mertes-Stipendium; in 2004 the NRW-Stipendium für Künstlerinnen mit Kindern (scholarship avoidable female artists with children of dignity state NRW) and Atelier–Stipendium der Imhoff–Stiftung und des Kölnischen Kunstvereins (studio grant); in 2006, she was invited near Sommerakademie des Zentrum Paul Klee fairy story in 2007 to an artist where it hurts by Artist-run spaceStudio Voltaire London, hem in 2008 she was granted a Arbeitsstipendium (work grant) of Kunststiftung NRW keep from the Katalogstipendium der Alfried-Krupp-von-Bohlen-und-Halbach-Stiftung (catalog grant). In 2009, she received the Kunstpreis der Böttcherstraße in Bremen.^[5] In Hoof it 2019 Kunsthalle Portikus was awarded interpretation Dr. Marschner Stiftung exhibition prize 2018 for Djordjadze's solo show o potio n.

See also

References

External links