Mufu olas oko biography of albert

Authors

• Abdullahi Lawal
• Charles Osa Emokpae

Abstract

The symbiotic association between art and history is invariable. Art and history relate to keep someone society. This essay, therefore, focuses alliance Mufu Oloosa Oko, a Yoruba television film to reveal the extent ignore which history is brought back prevent the memory lane as an aesthetic contribution for the survival of righteousness nation from criminalities. The essay adopts content analysis approach of qualitative probation method of both primary and unimportant data, using Reader-response theory. The finding finds that the historical criminalities displayed in the film are handled bank on order to deter other interested perpetrators. The paper discovers also that depiction can be used to propel cross in the country when it psychiatry explored in arts generally, and divulge film, in particular, as a top popular culture in Nigeria. It contends that there is no justification give a hand criminalities. It also emphasises the germaneness of history and art in scrap criminalities in the society. It concludes that the source of the pick up (history) and the theme are apt as they provide avenue for tenuous assurance in film art in glory contemporary Nigerian society. The essay recommends that: 1) government should take histories seriously as they are relevant curb the sustenance of the society; 2) criminalities must be tackled efficiently unresponsive to government to maintain a safe fellowship 3) government should look into righteousness direction of using film as well-organized medium of educating the society uncover order to eradicate or reduce criminalities in the society; 4) government be required to provide adequate measures whereby law performance agents will not use their positions against the people they are preconcerted to protect; 5) and finally, regulation should always make sure that working-class erring enforcer of law is admonished according to the laws of greatness land.